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The gaffer says something longer and more complicated. After a while, Waterhouse (now wearing his cryptoanalyst hat, searching for meaning midst apparent randomness, his neural circuits exploiting the redundancies in the signal) realizes that the man is speaking heavily accented English.

An open scroll is fixed to the top of the crucifix; it says I.N.R.I. Goto Dengo spends a long time trying to fathom this. I Need Rapid something? Initiate Nail Removal Immediately?

The next time Waterhouse is really aware of what's going on, he is sitting in the duke's office. He thinks there has been some routine polite conversation along the way, but there is never any point in actually monitoring that kind of thing. Tea is offered to him, and is accepted, for the second or third time, but fails to materialize.

The room contain a few dozen living human bodies, each one a big sack of guts and fluid so higly compressed that it will squirt for a few yards when pierced. Each one is built around an armature of 206 bones connected to each other by notoriously fault-prone joints that are given to obnoxious creaking, grinding, and popping noises when they are in other than pristine condition. This structure is draped with throbbing steak, inflated with clenching air sacks, and pierced by a Gordian sewer filled with burbling acid and compressed gas and asquirt with vile enzymes and solvents produced by the many dark, gamy nuggets of genetically programmed meat strung along its length. Slugst of dissolving food are forced down this sloppy labyrinth by serialized convulsions, decaying into gas, liquid, and solid matter which must all be regularly vented to the outside world lest the owner go toxic and drop dead. Spherical, gel-packed cameras swivel in mucus-greased ball joints. Infinite phalanxes of cilia beat back invading particles, encapsulate them in goo for later disposal. In each body a centrally located muscle flails away at an eternal, circulating torrent of pressurized gravy. And yes, despite all of this, not one of these bodies makes a single sound at any time during the sultan's speech. It is a marvel that can only be explained by the power of the brain over body, and, in turn, by the power of cultural conditioning over the brain.

No one, of course, is more familiar with staggering natural disasters than the Nipponese, with the possible exception of some peoples who are now extinct and therefore unable to bid on jobs like this.